Portfolio
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Click the title of a work for more information
New work, fixed media (1st order ambisonics)
Upcoming works: (all with our without electronics)
River House Arts Museum (Perrysburg, OH), installation
Juna Winston, trombone
Mark Cook, drum katz
Tin-Wai Viola Yip, piano
Nathan Smith, clarinet
Ioana Galu, violin
Conor Nelson, flute
Move and Flow (1’10”)
video and stereo audio
Collaboration with Kadeisha Turner, animation
…stones, cymbals, stream
fl, ob, cl, cl/bcl, bsn, hrn, tpt, tbn, perc.(2), pno, vl(2), va, vc, db, (~8’00″), op. 55
actuated lifes, (9’00″, looped), op. 54
Interactive multimedia installation (video, stereo or 1st order ambisonic audio)
W 31st and 8th, (3’00″), op. 53
fixed media (stereo)
amid entities, (15’26″), op. 52
fixed media (24-channel)
Quantization Noise, (4’50″), op. 51
soprano, cello, harp
Brave New Works reading session
Ceçi n’est pas durabilité
fixed media, stereo, (~13’56″), op. 50
[41.5, -83.6] for piano, hydroacoustic sounds, and interactive electronics (~6’00″), op. 49
Commissioned by Tom Rosenkranz
video and stereo audio
Collaboration with Kadeisha Turner, animation
…stones, cymbals, stream
fl, ob, cl, cl/bcl, bsn, hrn, tpt, tbn, perc.(2), pno, vl(2), va, vc, db, (~8’00″), op. 55
actuated lifes, (9’00″, looped), op. 54
Interactive multimedia installation (video, stereo or 1st order ambisonic audio)
W 31st and 8th, (3’00″), op. 53
fixed media (stereo)
amid entities, (15’26″), op. 52
fixed media (24-channel)
Quantization Noise, (4’50″), op. 51
soprano, cello, harp
Brave New Works reading session
Ceçi n’est pas durabilité
fixed media, stereo, (~13’56″), op. 50
[41.5, -83.6] for piano, hydroacoustic sounds, and interactive electronics (~6’00″), op. 49
Commissioned by Tom Rosenkranz
11.20.10 (1’00″), op. 48
fixed media (stereo)
07.13.10 (11’20″), op. 47
baritone saxophone, scordatura harp, and electromagnetic fields
Commissioned by the Mana Duo
Form Studies I-V (indeterminate length), op. 46
duos for violins, clarinets, tubas, and accordions
Commissioned by the Machine Project for the Little William Theater
Festival of New Music at the Hammer Museum (UCLA)
The First Music (6’10″), op. 45
flute choir, narrator, djembe
41.51732,-81.604947 (1’00″), op. 44
fixed media (stereo)
Listen
Entire Work (1’00″)
09.04.09 (10’28″), op. 43
duo for alto saxophone, bassoon, reusable/recyclable objects, bamboo, and interactive electronics
Sonata (1’39″), op. 42
soprano saxophone, baritone saxophone, prerecorded electronics, and photographs
…to love and be loved (5’30″), op. 41
flute, alto saxophone, english horn, and harp
RadioheadRemix:NUDE (5’25″), op. 40
fixed media (stereo) and optional Smule-Ocarina (iPhone)
05.22.08 (8’45″), op. 39
clarinet, alto saxophone, cello, piano, percussion (two), and sine waves
tjugotre (0’30″), op. 38
flute, clarinet, or soprano saxophone
elect/twain (3’00″, 22’00″, or 37’00″), op. 37
two strings
[in]evitable selection (72’00″), op. 36
four strings
Crunch Time (0’59″), op. 35
fixed media (stereo)
THE STATE OF THE inSIGNIFICANT (6’30″), op. 34
soprano saxophone and interactive electronics
[im]possibilities (10’00″), op. 33
beatboxer, soprano saxophone, interactive electronics
Tosherish (10’15″), op. 31
fixed media (stereo)
L!st3N (~18’45″), op. 30
male voice, alto flute, baritone saxophone, ‘cello, contrabass, metals/dry ice, and prerecorded electronics
Degradations IV-b (15′), op. 29
flute, oboe, viola, ‘cello, and prerecorded electronics
(version two: flute, violin, viola, bass clarinet, and prerecorded electronics)
…as is. (10′), op. 28
flute and piano
Schema (11’30″) op. 27
viola and interactive electronics
Listen
Excerpt (0’59″)
Threnody/Incipient/Avoidable (~9′), op. 26
woodwind quintet
8’66″ (9′), op. 25
tacet for any instrument or group of instruments with interactive electronics
Immersion (1′), op. 24
fixed media (stereo)
the power or means to decide (7′), op. 23
string quartet
Degradations III-b (6’30″), op. 22
fixed media (stereo)
for(4′), op. 21
Bb clarinet, Eb alto saxophone, and violin
Elevator Music (~6′), op. 20
alto saxophone and piano
The Hour Irrevocable (6′), op. 19
orchestra
Degradations II-a (4-5′), op. 18
piano
Degradations I-a (3′), op. 17
piano
Rumor (10′), op. 16
Mixed ensemble of 18
The Cry for Solace (Saxophone Concerto no. 1)(12′), op. 15
alto saxophone and string orchestra
Over Many Hills (only to never return) (10′), op. 14
Bb clarinet and partially prepared piano
Further Excursions on LVB (or, Rondo a la Reich) (8′), op. 13
alto saxophone and piano
The Shimmering Chalice(3′), op. 12
two trumpets and two trombones
City could not stop(9′), op. 11
saxophone quartet and film
Modern Times(10′), op. 10
violin and movie
Fanfare for the Fallen (4′), op. 9
brass quintet
A Collage of Visions: from here on earth (10′), op. 8
tenor and mixed chamber ensemble
From my Balcony, I survey the Yellow air… (5′), op. 7
solo piano
Listen
Entire work (5’26″)
Sans voix (10′), op. 6
solo performance for alto saxophone and piano reverberation
Reflection (6′), op. 5
violin, piano, electric bass, and prerecorded electronics
Listen
Excerpt (6’12″)
When Autumn Leaves First Light…(15′), op. 4
soprano, cello and jazz ensemble
The Thirteenth Hour (11′), op. 3
solo performance for multiple trumpets, prepared piano, percussion, and delay system
Excursions on themes by Ludwig Van(11′), op. 2
solo piano
Listen
Excerpt (11’05″)
Music for Oboe and Piano (11′), op. 1
oboe and piano
Listen
Excerpt (10’01″)
Brandenburg Concerto No. 6 (J.S. Bach)
arr. for flute and organ
(little fish) (17’20″), op. 32
soprano saxophone, acoustic, electric, and bass guitars, prerecorded electronics
Listen
Closing credits from the film score (2’27″)
(Composed and performed Kasprzyk; recorded and produced by Ben Kilburg)
(Composed and performed Kasprzyk; recorded and produced by Ben Kilburg)
Sonata in a minor for flute (C.P.E. Bach)
arr. soprano saxophone
Prelude No. 1, Book 2, “Brouillards” (C. Debussy)
soprano saxophone and piano
SMB (K. Kondo)
saxophone quartet
Listen
Entire Work (4’08″)
The Star Spangled Banner (F.S. Key)
saxophone quartet
Listen
Entire Work (1’32″)
Various original works (e.g. saxophones, flute, piano, organ, wind ensemble, etc.)
Listen
Missing You, saxophone quartet: Entire work (2’49″)
Various arrangements and recordings in other genres
Listen
Works by J. Newton, M. Kearney, J. Taylor, P. Metheny (4’12″)
(Kasprzyk, acoustic & basses, acoustic guitar)
(Kasprzyk, acoustic & basses, acoustic guitar)
Cory...
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