Portfolio

[view by category]
Click the title of a work for more information

New work, fixed media (1st order ambisonics)

Upcoming works: (all with our without electronics)
River House Arts Museum (Perrysburg, OH), installation
Juna Winston, trombone
Mark Cook, drum katz
Tin-Wai Viola Yip, piano
Nathan Smith, clarinet
Ioana Galu, violin
Conor Nelson, flute

adapt[ation], (7’52″), op. 56
soprano saxophone and fixed media
Move and Flow (1’10”)
video and stereo audio
Collaboration with Kadeisha Turner, animation

…stones, cymbals, stream
fl, ob, cl, cl/bcl, bsn, hrn, tpt, tbn, perc.(2), pno, vl(2), va, vc, db, (~8’00″), op. 55

actuated lifes, (9’00″, looped), op. 54
Interactive multimedia installation (video, stereo or 1st order ambisonic audio)

W 31st and 8th, (3’00″), op. 53
fixed media (stereo)

amid entities, (15’26″), op. 52
fixed media (24-channel)

Quantization Noise, (4’50″), op. 51
soprano, cello, harp
Brave New Works reading session

Ceçi n’est pas durabilité
fixed media, stereo, (~13’56″), op. 50

[41.5, -83.6] for piano, hydroacoustic sounds, and interactive electronics (~6’00″), op. 49
Commissioned by Tom Rosenkranz


11.20.10 (1’00″), op. 48
fixed media (stereo)

07.13.10 (11’20″), op. 47
baritone saxophone, scordatura harp, and electromagnetic fields
Commissioned by the Mana Duo

Form Studies I-V (indeterminate length), op. 46
duos for violins, clarinets, tubas, and accordions
Commissioned by the Machine Project for the Little William Theater
Festival of New Music at the Hammer Museum (UCLA)

The First Music (6’10″), op. 45
flute choir, narrator, djembe

41.51732,-81.604947 (1’00″), op. 44
fixed media (stereo)
Entire Work (1’00″)



09.04.09 (10’28″), op. 43
duo for alto saxophone, bassoon, reusable/recyclable objects, bamboo, and interactive electronics

Sonata (1’39″), op. 42
soprano saxophone, baritone saxophone, prerecorded electronics, and photographs

…to love and be loved (5’30″), op. 41
flute, alto saxophone, english horn, and harp

RadioheadRemix:NUDE (5’25″), op. 40
fixed media (stereo) and optional Smule-Ocarina (iPhone)


05.22.08 (8’45″), op. 39
clarinet, alto saxophone, cello, piano, percussion (two), and sine waves

tjugotre (0’30″), op. 38
flute, clarinet, or soprano saxophone

elect/twain (3’00″, 22’00″, or 37’00″), op. 37
two strings

[in]evitable selection (72’00″), op. 36
four strings

Crunch Time (0’59″), op. 35
fixed media (stereo)

THE STATE OF THE inSIGNIFICANT (6’30″), op. 34
soprano saxophone and interactive electronics

[im]possibilities (10’00″), op. 33
beatboxer, soprano saxophone, interactive electronics

Tosherish (10’15″), op. 31
fixed media (stereo)

L!st3N (~18’45″), op. 30
male voice, alto flute, baritone saxophone, ‘cello, contrabass, metals/dry ice, and prerecorded electronics

Degradations IV-b (15′), op. 29
flute, oboe, viola, ‘cello, and prerecorded electronics
(version two: flute, violin, viola, bass clarinet, and prerecorded electronics)

…as is. (10′), op. 28
flute and piano

Schema (11’30″) op. 27
viola and interactive electronics
Excerpt (0’59″)



Threnody/Incipient/Avoidable (~9′), op. 26
woodwind quintet

8’66″ (9′), op. 25
tacet for any instrument or group of instruments with interactive electronics

Immersion (1′), op. 24
fixed media (stereo)

the power or means to decide (7′), op. 23
string quartet

Degradations III-b (6’30″), op. 22
fixed media (stereo)

for(4′), op. 21
Bb clarinet, Eb alto saxophone, and violin

Elevator Music (~6′), op. 20
alto saxophone and piano

The Hour Irrevocable (6′), op. 19
orchestra

Degradations II-a (4-5′), op. 18
piano

Degradations I-a (3′), op. 17
piano

Rumor (10′), op. 16
Mixed ensemble of 18

The Cry for Solace (Saxophone Concerto no. 1)(12′), op. 15
alto saxophone and string orchestra

Over Many Hills (only to never return) (10′), op. 14
Bb clarinet and partially prepared piano

Further Excursions on LVB (or, Rondo a la Reich) (8′), op. 13
alto saxophone and piano

The Shimmering Chalice(3′), op. 12
two trumpets and two trombones

City could not stop(9′), op. 11
saxophone quartet and film

Modern Times(10′), op. 10
violin and movie

Fanfare for the Fallen (4′), op. 9
brass quintet

A Collage of Visions: from here on earth (10′), op. 8
tenor and mixed chamber ensemble

From my Balcony, I survey the Yellow air… (5′), op. 7
solo piano
Entire work (5’26″)



Sans voix (10′), op. 6
solo performance for alto saxophone and piano reverberation

Reflection (6′), op. 5
violin, piano, electric bass, and prerecorded electronics
Excerpt (6’12″)


When Autumn Leaves First Light…(15′), op. 4
soprano, cello and jazz ensemble

The Thirteenth Hour (11′), op. 3
solo performance for multiple trumpets, prepared piano, percussion, and delay system

Excursions on themes by Ludwig Van(11′), op. 2
solo piano
Excerpt (11’05″)


Music for Oboe and Piano (11′), op. 1
oboe and piano
Excerpt (10’01″)


Brandenburg Concerto No. 6 (J.S. Bach)
arr. for flute and organ

(little fish) (17’20″), op. 32
soprano saxophone, acoustic, electric, and bass guitars, prerecorded electronics
Closing credits from the film score (2’27″)
(Composed and performed Kasprzyk; recorded and produced by Ben Kilburg)



Sonata in a minor for flute (C.P.E. Bach)
arr. soprano saxophone

Prelude No. 1, Book 2, “Brouillards” (C. Debussy)
soprano saxophone and piano

SMB (K. Kondo)
saxophone quartet
Entire Work (4’08″)



The Star Spangled Banner (F.S. Key)
saxophone quartet
Entire Work (1’32″)



Various original works (e.g. saxophones, flute, piano, organ, wind ensemble, etc.)
Missing You, saxophone quartet: Entire work (2’49″)



Various arrangements and recordings in other genres
Works by J. Newton, M. Kearney, J. Taylor, P. Metheny (4’12″)
(Kasprzyk, acoustic & basses, acoustic guitar)