09.04.09

duo for alto saxophone, bassoon, reusable/recyclable objects, bamboo, and interactive electronics
Excerpt (1′01″)

In 09.04.09, the title is nothing more than a time stamp, referring to the incorporated field recording – in this case, the streets of Cleveland, Ohio. A transcription of the unique events (e.g. higher amplitude, varying timbre) within the field recording helped determine the harmonies, rhythms, and changes of texture throughout the work. Through this close observation of environment, the music strives for a nonlinear form; a mosaic of unequal moments that lack concern with what came before and what lies ahead. Given precedence, individual moments, changes in density, and interaction of elements, affect time within the piece as the typically inaudible is exploited.

The recorded sounds and various incorporated instruments form one (dis)embodied object that explores the blurred interactivity of the elusive physical and virtual worlds. Perspective of this object alters throughout, not unlike traveling through one’s neighborhood. This object is realized through many elements (e.g. plastic bottles, paper within the bassoon keys, a glass of water inside the saxophone bell, streams, water fountains, an airplane, sand, etc.), all found within the vicinity of the original field recording. There is a transition from smaller elements (e.g. air, paper, bamboo) to a more cohesive unit that incorporates all sounds, blended through the use of a physically modeled “bowed-flute.” While this linear path is visually apparent, it is obscured aurally by the incorporated electronics.

Written in a time of transition, without many of the means typically taken for granted, this work owes much to the expertise of Michael Norris, R. Luke Dubois (and others), as well as the supportive patience of Jessica, my wife. It was written for and is dedicated to rare degree’s Michael Straus and Dana Jessen, whose persistent vitality and dedication prove invaluable in today’s society.