C.R. KASPRZYK

…stones, cymbals, stream
fl, ob, cl, cl/bcl, bsn, hrn, tpt, tbn, perc.(2), pno, vl(2), va, vc, db, (~8’00″), op. 55

Move and Flow (1’10”)
video and stereo audio
Collaboration with Kadeisha Turner, animation

Upcoming works: (all with our without electronics)
Drew Sevel, saxophone
New work, fixed media (1st order ambisonics)
River House Arts Museum (Perrysburg, OH), installation
Juna Winston, trombone
Mark Cook, drum katz
Tin-Wai Viola Yip, piano
Nathan Smith, clarinet
Ioana Galu, violin
Conor Nelson, flute

actuated lifes, (9’00″, looped), op. 54
Interactive multimedia installation (video, stereo or 1st order ambisonic audio)

W 31st and 8th, (3’00″), op. 53
fixed media (stereo)

amid entities, (15’26″), op. 52
fixed media (24-channel)

Ceçi n’est pas durabilité
fixed media, stereo, (~13’56″), op. 50

11.20.10 (1’00″), op. 48
stereo

07.13.10b (11’20″), op. 47
electromagnetic fields (stereo and four-channel formats)

41.51732,-81.604947 (1’00″), op. 44
stereo
Listen

Crunch Time (0’59″), op. 35
stereo

(little fish) (17’20″), op. 32
soprano saxophone, acoustic, electric, and bass guitars, prerecorded electronics
Listen

Tosherish (10’15″), op. 31
stereo

Immersion (1′), op. 24
stereo

Degradations III-b (6’30″), op. 22
stereo

8’66″ (9′), op. 25
tacet for any instrument or group of instruments with interactive electronics

The Hour Irrevocable (6′), op. 19
orchestra

Rumor (10′), op. 16
Mixed ensemble of 18

The Cry for Solace (Saxophone Concerto no. 1) (12′), op. 15b
alto saxophone and string orchestra

When Autumn Leaves First Light… (15′), op. 4
soprano, cello and jazz ensemble

Quantization Noise, (4’50″), op. 51
soprano, cello, harp
Brave New Works reading session

07.13.10a (11’20″), op. 47
baritone saxophone, scordatura harp, and electromagnetic fields
Commissioned by the Mana Duo

Form Studies I-V (indeterminate length), op. 46
duos for violins, clarinets, tubas, and accordions
Commissioned by the Machine Project for the Little William Theater
Festival of New Music at the Hammer Museum (UCLA)

The First Music (6’10″), op. 45
flute choir, narrator, djembe

09.04.09 (10’28″), op. 43
duo for alto saxophone, bassoon, reusable/recyclable objects, bamboo, and interactive electronics

Sonata (1’39″), op. 42
soprano saxophone, baritone saxophone, prerecorded electronics, and photographs

…to love and be loved (5’30″), op. 41
flute, alto saxophone, english horn, and harp

05.22.08 (8’45″), op. 39
clarinet, alto saxophone, cello, piano, percussion (two), and sine waves

elect/twain (3’00″, 22’00″, or 37’00″), op. 37
two strings

[in]evitable selection (72’00″), op. 36
four strings

[im]possibilities (10’00″), op. 33
beatboxer, saxophone, interactive electronics

L!st3N (~18’45″), op. 30
male voice, alto flute, baritone saxophone, ‘cello, contrabass, metals/dry ice, and prerecorded electronics

Degradations IV-b (15′), op. 29
flute, oboe, viola, ‘cello, and prerecorded electronics
(version two: flute, violin, viola, bass clarinet, and prerecorded electronics)

…as is. (10′), op. 28
flute and piano

Threnody/Incipient/Avoidable (~9′), op. 26
woodwind quintet

the power or means to decide (7′), op. 23
string quartet

for (4′), op. 21
Bb clarinet, Eb alto saxophone, and violin

Elevator Music (~6′), op. 20
alto saxophone and piano

The Cry for Solace (Saxophone Concerto no. 1) (12′), op. 15a
alto saxophone and string quartet (2nd Vl. + concert bass drum)

Over Many Hills (only to never return) (10′), op. 14
Bb clarinet and partially prepared piano

Further Excursions on LVB (or, Rondo a la Reich) (8′), op. 13
alto saxophone and piano

The Shimmering Chalice (3′), op. 12
two trumpets and two trombones

City could not stop (9′), op. 11
saxophone quartet and film

Fanfare for the Fallen (4′), op. 9
brass quintet

A Collage of Visions: from here on earth (10′), op. 8
tenor and mixed chamber ensemble

Reflection (6′), op. 5
violin, piano, electric bass, and prerecorded electronics
Listen

Music for Oboe and Piano (11′), op. 1
oboe and piano
Listen

[41.5, -83.6] for piano, hydroacoustic sounds, and interactive electronics (~6’00″), op. 49
Commissioned by Tom Rosenkranz

RadioheadRemix:NUDE (5’25″), op. 40
prerecorded electronics and optional Smule-Ocarina (iPhone)

tjugotre (0’30″), op. 38
flute, clarinet, or soprano saxophone

THE STATE OF THE inSIGNIFICANT (6’30″), op. 34
soprano saxophone and interactive electronics

Schema (11’30″), op. 27
viola and interactive electronics
Listen

Degradations II-a (4-5′), op. 18
piano

Degradations I-a (3′), op. 17
piano

Modern Times (10′), op. 10
violin and movie

From my Balcony, I survey the Yellow air… (5′), op. 7
solo piano
Listen

Sans voix (10′), op. 6
solo performance for alto saxophone and piano reverberation

The Thirteenth Hour (11′), op. 3
solo performance for multiple trumpets, prepared piano, percussion, and delay system

Excursions on themes by Ludwig Van (11′), op. 2
solo piano
Listen